America’s Urban Homeless

Thanksgiving. 60″ x 48″ | Mixed Media/Canvas (1992)
To Mend a Broken Life. 48″ x 32″ | Acrylic/Canvas/Wood (1992)
Woman Alone. 7′ x 8′ | Mixed Media/Canvas (1992)
Posing for Change. 72″ x 48″ | Mixed Media/Canvas (1992)
Retirement. 60″ x 48″ | Mixed Media/Canvas (1992)
Campbell’s Soup. 48″ x 30″ | Acrylic/Canvas/Wood (1992)
Declining Figure. 36″ x 72″ | Mixed Media/Canvas (1992)
Women’s Shelter. 60″ x 48″ | Mixed Media/Canvas (1992)

The faces of the two girls featured in Danuta Rothschild’s image Women’s Shelter express both despair and hope. Part of a series of works on urban homelessness, the painting depicts them seated on the steps of a shelter for battered women. Such “redemptive places” and the hope they offer to desperate lives are the subject of Daphne Spain’s Longer View. Spain recounts the inception of these places in the U.S. early in the last century and describes their latest incarnations in “Charitable Choice” initiatives. Danuta Rothschild emigrated from Poland in 1971 and works daily in her studio in Venice, California. The subject matter of her paintings has included the Holocaust, Native Americans, threats of chemical war in the Middle East, and the natural world.

Spain, Daphne. “Redemptive Places, Charitable Choice, and Welfare Reform.” Journal of the American Planning Association 67 (2001): 249 – 262.
Change. 6′ x 6′ | Mixed Media/Canvas (1992)